包括：

• Laowa 12mm T2.9零維電影鏡頭（PL卡口）
• 前後鏡頭蓋
• 114mm升壓環
• 墊片組
• Pelican Case

The Laowa 12mm T/2.9 Zero-D is the “cine version” of the 12mm F/2.8 Zero-D that we already reviewed. This cine rehousing is a more filmmaker-friendly version made out of aluminum, with standard 0.8 mod gears on the aperture and focus rings.
Also, the focus throw has been extended to 270°, which makes the use of a follow focus – and focus pullers’ lives – much more comfortable.
This ultra-wide lens gives you a 122 degrees field of view. Also, the “Zero-D” in the name means that the lens is close to being distortion-free, according to Laowa.
The Laowa 12mm T/2.9 Zero-D is available in PL mount, Canon EF mount, and Sony-E mount. You can’t change the lens mount by yourself, but you can adjust the flange distance thanks to the included shims.
The large 47mm image circle makes this lens compatible with Full-Frame and Vista Vision sensors, including the RED Monstro 8K VV, RED Ranger, and ARRI Alexa LF/Mini LF.laowa 12mm t2 9
The lens design consists of 16 elements in 10 groups with two aspherical glasses. The lens measures only 3.4″/87mm and weighs 1.5lbs/675g, which is relatively light for a cine lens.laowa 12mm t2 9
The minimum focusing distance of the 12mm T/2.9 Zero-D is 7”, which is only under 4″/93cm from the front element. This close focusing capability should allow you to get interesting wide shots while being close to a subject with a pleasing depth of field.
It is often difficult to mount a mattebox onto wide-angle lenses, but Laowa includes in the package a 114mm step-ring (the front ring is 102mm). This 114mm front filter size makes the 12mm T/2.9 Zero-D compatible with every standard mattebox on the market.